Spiritual and Wearable Art | Juxtapoz Magazine

David Tupaz SS19 | James Stanford ‘Lucky Lady’ Silk Scarf | Mark Gunter Photography

David Tupaz SS19 | James Stanford ‘Lucky Lady’ Silk Scarf | Mark Gunter Photography

Britney Spears made her solo debut, David Bowie his final public appearance and this year, David Tupazshowed his designs at Fashion Week at the Manhattan Center, an ornate, venue whose majestic, hand-painted ceiling provides a firmament for artists and patrons. A stage for opera, and later, vaudeville, the venue has continued with a range of music groups, not to mention the fashion show where Tupaz let loose with a parade of fashion gems. Inspired by Jim Stanford’s digital montage, Shimmering Zen, the designer transformed the modern and mystical mandalas into sensual, spiritual and wearable art. Like Indra’s Jewels, the Manhattan Center’s ceiling floated above the glowing models in David’s creations, soon to be viewed in Las Vegas and Palm Springs. We caught up with the designer in between shows. > Read More

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James Stanford's Vegas-Inspired Mandalas | Juxtapoz Magazine

American artist James Stanford’s visually stunning and intricately constructed modern mandala series, Indra’s Jewels, will be premiered during Asian Art in London 2017. This event brings together over 60 of the world’s top dealers, major auction houses and museums for an annual ten-day celebration of the finest in Asian art. Visitors will converge on London for the 20th anniversary edition, which offers gallery selling exhibitions, auctions, receptions, lectures and seminars.

Stanford had this statement regarding the show: ‘It is with great pleasure that I agreed to participate in this important event. I hope my work will not only be enjoyable for visitors, but will introduce them to the great diversity of Buddhist-inspired artwork being produced today.’ 

As a leading contemporary interpreter of the ancient traditions of Buddhism, Stanford draws from historic metaphor, Chinese fable and the aesthetics of the Tibetan mandala. His conceptually complex and visually sumptuous work, in which the mandala functions as a way to contemplate both immaterial and material realities, has attracted significant interest through gallery and museum exhibitions in recent years.  

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